Oil On Wood

Georges Marie Girardot (1856-1914) Sirène Au Miroir, 1911 Symbolite Art Nouveau


Georges Marie Girardot (1856-1914) Sirène Au Miroir, 1911 Symbolite Art Nouveau
Georges Marie Girardot (1856-1914) Sirène Au Miroir, 1911 Symbolite Art Nouveau
Georges Marie Girardot (1856-1914) Sirène Au Miroir, 1911 Symbolite Art Nouveau
Georges Marie Girardot (1856-1914) Sirène Au Miroir, 1911 Symbolite Art Nouveau
Georges Marie Girardot (1856-1914) Sirène Au Miroir, 1911 Symbolite Art Nouveau
Georges Marie Girardot (1856-1914) Sirène Au Miroir, 1911 Symbolite Art Nouveau
Georges Marie Girardot (1856-1914) Sirène Au Miroir, 1911 Symbolite Art Nouveau

Georges Marie Girardot (1856-1914) Sirène Au Miroir, 1911 Symbolite Art Nouveau  Georges Marie Girardot (1856-1914) Sirène Au Miroir, 1911 Symbolite Art Nouveau

Siren in the mirror, 1911. 66,5 x 78 cm with frame. Signed and dated at the bottom left - exhibition label and title on the back society of beautiful arts of niceness. Georges girardot (born 4 August 1856 in Besançon) is a painter who died in 1914. Trained in Paris by the painter Albert Maignan, associate member of the Academy of Sciences, Fine Letters and Arts of Besançon and Franche-Comté from 1907 to 1914, associate of French artists since 1883, girardot exhibited mainly genre scenes at the salon.

At the 1890 salon, he illustrated a franco-comtoise custom with. The reverences to the moon (twilight).

(anonymous sale, betting, sothebys, June 25, 2008, n°123) where the young women in reverence in front of the moon hoped to see in the reflection of the water the face of their future husband ("moon, beautiful moon, clear moon / in this mirror, let me see / the husband I must have"). Girardot was awarded several medals (honourable mention in 1893, third-class medal in 1896, second-class medal in 1907). The workshop fund presented in this vacation illustrates the artist's preference for village scenes.

Allegory of the four seasons. Girardot grabs on the sharp leffervescence of a village preceding weddings. He also paints more intimate scenes. Composition at the soup house.

Composition with lecherché and triptych. Composition with an ancient bust. These genre scenes are accompanied by works inspired by biblical and mythological subjects.

Mermaids, nymphs or adams, painted in large formats, evolve in a ubiquitous nature, both realistic and timeless. If georges girrardot can adopt a tight framing on his characters, like the.

His figures are distinguished by a sculptural treatment that gives them a majesty that reinforces the realism of the traits. The deprivation and sobriety of certain scenes give the subject a higher dimension.

Bears a biblical resonance and is not without reminder. Of chavanne bedrock (1881, paris, dorsay museum). The item "georges marie girardot (1856-1914) mermaid in the mirror, 1911 symbolist art nouveau" has been on sale since Thursday, November 4, 2021. It is in the category "art, antiques\art of xixe and before\paintings, enamels". The seller is "galeriedriylewicz" and is located at/in betting.

This item can be delivered anywhere in the world.
  1. height: 55 (66.5) cm
  2. Length: 43 (78) cm
  3. type: oil
  4. characteristics: framed
  5. artistic current: French school
  6. genre: Impressionism
  7. theme: religion, mythology

Georges Marie Girardot (1856-1914) Sirène Au Miroir, 1911 Symbolite Art Nouveau  Georges Marie Girardot (1856-1914) Sirène Au Miroir, 1911 Symbolite Art Nouveau