Graphic culture is similar to these places inhabited a time. One collective, then another, a vacant lot or warehouse, offices or pavilion. In the suburbs or lon written on the walls. Discovering further the work of.T and miro, then running museums and libraries, my choice of life is in the middle of a pro photo bin abandoned like letters, philosophy, a rejection of "faculty" teachers for the benefit of learning solo and memory, since if that's it, it will not go away anymore. The spirits and the chance. Chance for astonishment, to see the ink, the matter to live, to take its place outside me, but before me, the freedom and the choice to preserve, to take again. Without ever thinking of "improving" because everything has value only in a time and in front of definite eyes, and I know too much that one thing, one feeling can be and not be in the same place and given time.
The human brain has too much tendency to satrophy if it does not get out of his thoughtful ideas, I jump from. To artists with whom I live, in recurrences or ruptures, leaving behind us frescoes, pieces of canvas, paper life to the pleasure of memories that. Will wall, guard, and leave.
S, photographs, drawings, are born in a context, break from it, come back to me and take the colors of the present in accumulated layers, transparencies, remains of what was and i wish to keep. My graphic culture is similar to these places occupied for a while by a collective, then another; a vacant lot or storehouse, offices or houses born during the manga explosion in france, in the suburbs, where people write strange. Pseudonyms on the walls, discovering the future and the miros work, then wandering through museums and libraries, my life choice made in the middle of photography studies which i abandoned alongside literature, philosophy, a refusal of teaching faculties in favor of a learning a work of memory, spirits and randomness, randomness for astonishment, see ink, substance live, take it's place in front of me, the freedom and choice to conserve, take back, explode, change, without ever thinking to improve it has a value in its own time and it can not be used in the same place and time. The human brain tends to diminish if it does not break free from worn out ideas, i jump from the cobra to the artists with whom i live, in recurrences or ruptures, leaving behind us frescoes, bits of paintings, pieces of life papers, living in the garden 2016: permanent exhibition, "a singular vision\Artpulsion, jc ritz collection.Solo exhibition "I loved love better\2015: permanent exhibition, "language gallery\Exhibition "speed art factory\2014: project for "vetomat\2013: personal exhibition "retrospective integrale" at the block, paris 19th. Personal exhibition: "morgan merrheim block\Collective exhibitions and open door days of my workshop at the block (paris 19th).
2012: collective exhibition "coups de cur\Collective exhibition at "La Trappe aux Etoiles\Collective exhibition "ice cream kunstler hause\Permanent exhibition at the "jdc gallery\2011: collective exhibition at the "zoo\Individual exhibition at "lizard be assuredly human" paris. Collective exhibitions at the "Château dalbatard" Paris. 2010: permanent exhibition at the "artevistas" galery, barcelona. Individual exhibition, digital space, villereal (47).2009: individual exhibition at the miroiterie, paris. Performance exhibition in a professional cabinet. Published in Made in the suburbs, ed. 2008: individual exhibition at "christmas of the farm of happiness\Project for the water pavilion, paris.
Inauguration of the "red circle\2006: individual and collective exhibitions at the carosse, paris. Individual exhibition at the "valeyre cultural center\2004: collective exhibition at the city hall of Paris.The item "large picture painting on merrheim art singular expressionnism outsider" is on sale since Tuesday, April 18, 2017. The seller is "waterdogartdealer82" and is located in / in paris. This item can be delivered anywhere in the world.